electronic media artist
ABOUT
VIDEO
SPACE
Endless Dream Co
Transit of Earth
The Ruins of Naurattan
Transmission
The Swift Erosion of a Crater through Human Intervention
Albedo 0.30
Watching a Gora Drive by
Triumph of Labor
Gentleman of the Road
Kareena
Tectonic Shifts
Kareena
Tectonic Shifts
Rationalization of Sight
Moonlighting : Dance by Lunar Polarity
CFL-Coded Fluorescent Light
Boy by the Ganges
The Dead
The Dead | Vito Acconci
The Dead | Dinanath Pathy
The Dead | Taylor Mead
The Dead | Lou Reed
The Dead | Max Mathews
Julie at the Beach
5 Anamorphoses - The Dead
The Dead :: 5 Anamorphoses
Julie at the Beach
Morse Rigveda
ON
Cao Chang Di Road
Public Places - Private Strangers
Propitious Stars - Master of the Staring Eye
Luminous Point
Occurrence on Broadway & Columbus
Rabbit in your Headlights
Plant Cycle
On that day with Juliusz
Moving Vast Amounts of Water to a Barren Place
N 36º25’12” - W 116º48’43” (Zabriskie Point)
Stonehenge
My Own Private Universe - The Great Attractor
My Life as a Ghost
The Invisible Never Happens
Memory of Light - Light of Memory
I Came Here to Sleep
Séance
On the Nature of Things
Of Shadow & Light - Riddle of Images
Fundamentls of Legerdemain
Urbs Turrita - City of Towers
The Bernoulli Itinerary
Arthur
Aviation Memories
Urban Memories
Dream of Zanzibar
Cyborgs & Other New Machines
It that once computed the Fibonacci Numbers to Infinity
It's supposed to happen automatically ...
It That Once Beat The Masters
Magick Piece
The Air is Full of Voices
Family Blue
Android Plant
Plant #2-78/278
Plant #2-16/349
Moving Vast Amounts of Water to a Barren Place
N 36º25’12” - W 116º48’43” (Zabriskie Point)
Stonehenge
My Own Private Universe - the great attractor
My Life as a Ghost
The Invisible Never Happens
Memory of Light - Light of Memory
I Came Here to Sleep
Séance
On the Nature of Things
Of Shadow & Light - Riddle of Images
Fundamentals of Legerdemain
Urbs Turrita - City of Towers
The Bernoulli Itinerary
Arthur
Aviation Memories
Urban Memories
Dream of Zanzibar
Cyborgs & Other New Machines
It That Once Computed the Fibonacci Numbers to Infinity
It's supposed to happen automatically but in Reality you must press this Button
It that once beat the Masters
Magick Piece
The Air is Full of Voices
Family Blue
Android Plant
Plant #2-78/278
Plant #2-16/349
IMAGE
Medusa Rising
Time and Again
Here Time Turns Into Space
Plein-air - Spectacle of Public & Private Calamities
Coup d'œil
Public Places - Private Encounters
A.I.: Simulated Drawings - Spurious Engravings
- And I Build a Crooked Space
The Artist's Studio as Encryption Lab
Germania Flats
Remade Topographies
Vault
Early Works
CV
NEWS
— And I Build a Crooked Space
Madam Takes a Leap
Date: 2022
Dimension: 17 x 22 inch
Technique: pigment ink on fine art paper
Edition: 7 + 1 EA
I was recently granted generous access to a Matterport and Facebook AI research dataset of about 1000 3D spaces. To date, I created a few short computer animations and a folio in progress entitled «— and I Build a Crooked Space»., a nod to Robert A. Heinlein’s eponymous short story from 1941.
So far, all the houses I investigated are fully furnished, some tidy, some messy, littered with personal belongings, but I have yet to encounter a single human being.
An uncanniness pervades the deserted homes, the cause of abandonment, their histories and locations unknown and ripe with fictional potential. Thoughts of «Morel’s Invention», the book by Adolfo Bioy Casares or «Locus Solus» by Raymond Russel.
The almost cinematic atmosphere of suspense is heightened by the distorted geometry, reminiscent of cubist painting of the early 20th century in which central perspective with its single viewpoint was abandoned and use was made of simple geometric shapes and interlocking planes.
By prematurely aborting the rendering, I end up with a photon map of the surfaces, which looks rather like an etching. Whereas conventional gravure depends on corrosives, I use light.The digital pictures are printed on paper or glass
— And I Build a Crooked Space
Man Takes a Fall
Date: 2022
Dimension: 17 x 22 inch
Technique: pigment ink on fine art paper
Edition: 7 + 1 EA
— And I Build a Crooked Space
Woman in a Houndstooth Suit Collapsed at the Bottom of the Stairs
Date: 2021
Dimension: 13 x 19 inch
Technique: pigment ink on fine art paper
Edition: 7 + 1 EA
I consider stairs a place of transition, the ascent or descent bearing risk and vulnerability. In this image, we spot a woman in a houndstooth suit collapsed at the bottom of the stairs, raising the questions whether we're on a scene of crime or accident, whether we are witnesses or perpetrators.
— And I Build a Crooked Space
Woman Running up the Stairs of a Deserted Hotel
Date: 2021
Dimension: 13 x 19 inch
Technique: pigment ink on fine art paper
Edition: 7 + 1 EA
The scenario created with thoughts of Alfred Hitchcock's Vertigo, the title of the series a nod to Robert A. Heinlein’s short story — And He Built a Crooked House from 1941, where an architect builds a house that brings into play the fourth dimension.
— And I Build a Crooked Space
Person Falling Down the Stairs
Date: 2021
Dimension: 13 x 19 inch
Technique: pigment ink on fine art paper
Edition: 7 + 1 EA
Again, we are witnessing a person struggling with a set of stairs, this time, in a take on Marcel Duchamp's Nude Descending a Staircase, in the midst of a fall. Did the man or woman slip, was he or she pushed, or even shot from behind?
— And I Build a Crooked Space
Ditlev Thomsen’s Empire
Date: 2021
Dimension: 17 x 22 inch
Technique: pigment ink on fine art paper
Edition: 7 + 1 EA