electronic media artist
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photo © Stephan Rohner
TRANSIT OF EARTH
2022, LED-Mosaic, 210 × 650 × 20 cm, video, 46:31’, loop, silent
edition of 3, 1/3 collection Kunstmuseum St. Gallen
«Transit of Earth» is a hybrid video and 3D animation, displayed on an intentionally incomplete LED mosaic with missing panels. Inspired by the fresco cycle lining the Salone dei Mesi (Room of the Months) in the Ferrarese Schifanoia Palace, the video consists of twelve monthly chapters, corresponding to the zodiac signs. The stage is a transparent tunnel of cosmic filaments with the sun in the middle, traversed by the moon and the planets. The solar model and tunnel are generated from animated fractal noise textures, the spheres wrapped with NASA projection maps. Each month begins with the transit of its ruling planet, accompanied by the signs and colors of the related zodiac. Scenes of earthly activities recorded in that respective month appear as short videos on an oscillating magnifying glass. The lines of a poem scroll across the mosaic, beginning with the creation of light, following both its outward dissemination and entry into the ocular portal, ending with the evocation of «a state of light pristine and un-seen.»
LIGHT!
transparent
wherever it strikes
it first reveals
a day in march
the rays penetrate deeper
twisting and moving matter
tuning and reconfiguring
exposing ever new structures
disseminating ad infinitum
the pool
teeming with swimmers
impossible to number
suddenly
as by an inscrutable decree
they begin to wiggle
in hypnotic synchrony
forming a frenzied gyre
the center a writhing node
like the pupil of a demonic eye
I remember
the two hostile bodies
and the shock when they collided
the outcome
a calculation of probabilities
of chance
good and back luck
like a game of cards
they dance to
a monophonic medieval tune
played on a stringed instrument
with a long-held bottom D as a drone
a languid amorous style of performance
with capricious rhythms at the end.
once
at the top of a hill
somewhere amidst an undulating landscape
now
down here in this familiar concavity
the passage lost a dissociative fugue
maybe a shift in the landscape itself
maybe bound to occur again
changing everything
even obliterating life itself
in this cavity
light thrives in disarray
but there is a woman
who can capture it and
shape it in some
truly beautiful forms
this she does in the blakean method
by cleansing the cavity
with corrosives and heat
for an instant eliciting
a state of light
pristine and un-
seen
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