‍ALEXANDER ‍HAHN

‍electronic ‍media ‍artist

Simulated Drawings - Spurious Engravings



5 seconds with Vito  

Date: 2019  

Medium: pigment ink on paper  

Dimensions: 14.5 x 21.4 in.  

Edition: 3        



• Annotation:  


Venice, Muntadas exhibition, June 01, 2013. Vito Acconci eating a sandwich; rendered using mobile-optimized artificial intelligence (Deep Learning) technology.

Simulated Drawings - Spurious Engravings



The Assignment - Thoughts of Albert Anker 

Date: 2019  

Medium: pigment ink on Hahnemühle Rice paper  

Dimensions: Series of 12 @ 14 x 11 in.  

Edition: 10 +1 AP        

Simulated Drawings - Spurious Engravings



Juliane says No  

Date: 2019  

Medium: pigment ink on glass,  mixed media  

Dimensions: 14 x 11 in.  

Edition: 10, 1 AP        



• Annotation:  


Hilma af Klint exhibition, Guggenheim Museum, NY. Rendered using mobile-optimized artificial intelligence (Deep Learning) technology.

 Drawings - Spurious Engravings 



Sunset  

Date: 2019  

Medium: pigment ink on paper, 13 simulated pen sketches  

Dimensions: 11 x 14 in.  

Edition: 3        


• Annotation:     


13 sketches with cotton gloves, blanket, tissue paper and Sunset magazine box, as seen during the installation of a photo exhibition in March 2018. Rendered using mobile-optimized artificial intelligence (Deep Learning) technology.

Simulated Drawings - Spurious Engravings



Wheels of Time  

Date: 2019 

 Medium: pigment ink on paper  

Dimensions: 16 x 23 in.  

Edition: 3        



• Annotation:   


New Delhi, wall ornament made from cast concrete, rendered using mobile-optimized artificial intelligence (Deep Learning) technology.

Simulated Drawings - Spurious Engravings



Deity  

Date: 2019  

Medium: pigment ink on paper  

Dimensions: 16 x 23 in.  

Edition: 3        



• Annotation:   


New Delhi, wall ornament made from cast concrete, rendered using mobile-optimized artificial intelligence (Deep Learning) technology.

Simulated Drawings - Spurious Engravings



Nature Morte  (Morandi)

Date: 2019  

Medium: pigment ink on paper  

Dimensions: 16 x 23 in.  

Edition: 3



• Annotation:   


New Delhi, wall ornament made from cast concrete, rendered using mobile-optimized artificial intelligence (Deep Learning) technology.

Simulated Drawings - Spurious Engravings



Untitled 

Date: 2019  

Medium: pigment ink on paper  

Dimensions: 20.8 x 15.7 in.  

Edition: 3        



• Annotation:     

Marble slab on a construction site in New Delhi. Sketched using mobile-optimized artificial intelligence (Deep Learning) technology.

Crash at Minisceongo Creek  

Date: 2019  

Medium: pigment ink on paper, 17 sketches  

Dimensions: 7.5 x 11 in.  

Edition: 3        



• Annotation:     


17 stills from an aerial video of the flight of a wayward small drone over Minisceongo Creek and its crash, rendered using mobile-optimized artificial intelligence (Deep Learning) technology.

Simulated Drawings - Spurious Engravings



Male Nude in Landscape sighted by a Drone - Self Portrait  

Date: 2018  

Medium: pigment ink on 4 pt. stone paper, 6 sheets  

Dimensions: 13.5 x 24 in.  

Edition: 3 


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Simulated Drawings - Spurious Engravings



Titian’s The Submersion of the Pharaoh’s Army in the Upper New York Bay as seen in the Fogg Museum Date: 2015  

Medium: pigment ink b/w on 12 plates of polycarbonate, mixed media  

Dimensions: 118 x 215 cm (46 7/16 x 84 5/8 in.)  

Edition: 3 + 2 on glass + 1 EA        



• Annotation:     

The first encounter with only a fragment of the work in 1997 resulted in the print below, the three salvaged Titian prints on a red carpet. 

Albert Bosshard‘s unfinished 1916 Mt. Tödi Panorama completed  

Date: 2015  

Dimension: 12 prints à 60 x 70 cm  

Technique: 3D-digital elevation model (DEM), pigment ink b/w on bamboo paper  

Edition: 5 + 2 on glass + 1 EA

Simulated Drawings - Spurious Engravings



Cerebral Atoll  

Date: 2001 - 2015  

Medium: pigment ink on fine art paper (12) and glass (2), mixed media  

Dimensions: 14 prints à 11 x 14inch  

Edition: 3 + 1 EA

Collection:  Kunstmuseum Solothurn


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Simulated Drawings - Spurious Engravings



Liquid I  

Date: 2014  

Medium: pigment ink on fine art paper  

Dimensions: 18 prints à 9x 16 inch  

Edition: 3 + 1 EA  

Collection:  Graphische Sammlung, Swiss Federal Institute of Technology Zurich

Simulated Drawings - Spurious Engravings



Avian Particle System I - III  

Date: 2015 

 Medium: pigment ink on Hahnemühle Turner  

Dimensions: 15 x 26.6 in.  

Edition: 7        



• Annotation:   


Based on a HD video of a flock of murmurating birds shot in the Ebro delta. Low res, compression artifacts and image processing turn the birds into a black particle system. Birds, locusts, ants, fish, etc. obey certain rules when they appear in swarms. Yesterday, I read that cells in our bodies move in groups that follow similar rules. Like locusts, the wandering groups of cells reject each other to keep a safe distance from their neighbor, but they also attract each other to effect a most efficient mass migration ...


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Simulated Drawings - Spurious Engravings



Alate Particle System #01 - 04  

Date: 2016 

Medium: pigment ink on paper  

Dimensions: 14.5 x 21.4 in.  

Edition: 7        


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• Annotation:  


The theme of the flickering light surfaces again in the four inkjet prints of Alate Particle System # 01 - 04. The difference between the camera shutter speed and the oscillation frequency of a white compact fluorescent light creates colors, an artifact not visible to the naked eye.

Simulated Drawings - Spurious Engravings



A History of India # 02  

Date: 2014  

Medium: pigment ink on fine art paper  

Dimensions: 5 images @ 12.75 x 7.25 in.  

Edition: 3